Showing posts with label Arab Spring. Show all posts
Showing posts with label Arab Spring. Show all posts

Thursday, August 2, 2012

Muftah: Women’s Rights and Revolution in Yemen: A Local Perspective

By: Saleem Haddad*



The role of women in Yemen’s Arab Spring has shocked international observers. In a country where the cultural, political, and economic gaps between men and women are some of the largest in the world, women did not simply ‘join’ the protests but were a leading force behind the cultural evolution that powered the revolutionary movement.

In taking their politics to the street, these women challenged homogenized images of ‘Third World Women’ as powerless, docile, submissive, and in the case of Muslim women specifically, in desperate need of liberation by the West. At the same time, many Arab feminists approached women’s rights in the Arab Spring with trepidation, wary of liberal feminist discourses that helped justify military interventions in the Middle East,

To understand women’s involvement in the Arab Spring generally and in Yemen specifically, we need to shift away from globalized media narratives influenced by imperial discourses of the likes of Mona Eltahawy and move toward local modes of knowledge production. Examining discourses of emancipation articulated by women in their localized context is necessary both to genuinely address women’s rights and move beyond liberal interventionism in the region.

Nowhere is this truer than in Yemen, where decentralised politics makes it impossible to homogenize the experience and role of women in Yemen’s protest movement. To understand the Yemeni revolution from a gendered perspective, one must begin by looking at the differing local dynamics, which affected women’s participation. In Tai’z, for instance, women were front and centre in street politics and civil disobedience strikes, using the shame associated with threatening or attacking women to protect protesters from violence.

On the other hand, in the northern highlands of Sa’ada, where the Zaydi Houthi movement, and not the central government, has control, women were prohibited from demonstrating in the streets. Instead they conducted biweekly gatherings in schools and wrote anonymous letters to corrupt local council leaders. While women-only protests did exist, they occurred only when sanctioned and facilitated by the staunchly anti-regime, Houthi-run local authority. Many women jumped at the opportunity to attend these sessions both for political reasons and also because, for many, it was a rare chance to leave home for a social occasion.


In Sana’a, where tribal customs hold great sway, hundreds of women set fire to their veils in protest, a symbolic gesture used to appeal to tribesmen for support in desperate times. In doing so, these women ensured that the local tribes would take ownership of, and not be threatened by, the revolution.

In Aden, women navigated the complex politics of the city’s protest squares, where calls for revolution were intertwined with calls for secession. There, the Southern Issue—a set of political, social, economic, and historical grievances—formed the cornerstone of women’s calls for change. Women activists in the South have been frustrated with those in the North who dominate the discussions around ‘women’s rights’. According to a prominent woman activist in Aden, they “do not respect Southern women and the Southern Issue”.

In each of these instances, women have demonstrated a remarkable ability to carve out spaces of resistance, defying harassment and utilizing small openings to make their voices heard. Amongst this diversity, one commonality has consistently emerged: women activists throughout the country have insisted on articulating their struggle for equal rights within a broader revolutionary discourse calling for a ‘modern, civic state’ with ‘justice’ and ‘equality’ for all Yemeni citizens, regardless of gender, religion or geography.

This statement is simple, but subversive. Through this approach, women activists have placed themselves at the very centre of Yemen’s revolution, whose success now hinges upon the role these women will play in the coming years. Any regression in women’s rights will undoubtedly signal a failure of the revolution itself.

This not only embeds women within Yemen’s revolution, but also ties feminist discourses to wider systems of oppression. This is where international, liberal feminist approaches have failed. One cannot disaggregate the status of women in Yemen from the wider structures of oppression that drove hundreds of thousands of Yemenis to the streets. To support the role of women in the post-Arab Spring landscape one must not shy away from addressing the wider structures of economic and political oppression, which are undoubtedly complex and inevitably political.

By localising dissent and placing their calls for equality at the heart of the protest movement, women have also become targets. Violence against women during the Yemeni protests cannot be disentangled from wider counter-revolutionary objectives and attempts by more established forces to control, hijack, or weaken independent uprisings.

It is, therefore, no surprise that, in order to weaken the protest movement, the Islah party, a broad coalition of Islamists, descended onto the squares and segregated the sexes. Women were prevented from protesting with men. In Sanaa, for instance, women were forced to sit in a separate yard inside the square, covered by heavy curtainsand locked behind a thick iron gate.

While Islah members argued it was haram for men and women to mix publicly, this act also served to weaken and divide the protest movement that emerged in the first few months of 2011, and allowed Islah to control the squares. What better way to cut at the heart of calls for equality than by literally dividing the population in two under the false guise of religiosity?

A bottom-up approach to understanding gender dynamics helps us challenge liberal internationalist feminism that obfuscates more than it reveals. Similarly, approaching local articulations of feminism within the wider context of resistance against broader political, military and economic oppression is also necessary to ensure that feminist objectives are embedded within broader calls for resistance. In the end, we may find that it is not the broad sweeping statements, but the small localized spaces of resistance that we need to be watching.

In March 2012, a woman in Sa’ada, who had participated in the anonymous letter campaign to corrupt local officials, said in an interview, “I was dreaming of the day when I could raise my voice rather than write anonymous letters. With the protests I found I was able to say whatever I see to women during the festivals. But now that I’ve done this, a feeling inside me is growing everyday telling me that I am not satisfied. I am hungry for something more.”


*Saleem Haddad is a staff writer with Muftah.

Tuesday, July 24, 2012

The Yemeni Revolution from a Young Journalist's Perspective

Nawal Al-Maghafi worked with BBC Arabic to present a look inside the Yemeni revolution from the perspective of two men from the same family; the Deputy Minister of Information, Abdou Al Janadi, whom she dubbs the "President's Man" and his son who was opposed to Saleh's regime. While the video provides a straight forward story of these two men, it is also symbolic of the divisions that the Yemeni people are facing. Here is The President's Man and his Opposing Son:



Question: During the Yemeni Revolution, you were in London, what inspired you to go to Yemen? Once you were in Yemen, did you participate in any of the demonstrations? are there any specific stories that you want to share? 

Nawal: As the Arab Spring spread across the Middle East, I watched the news religiously. Wondering wether it would spread to Yemen, my home country. Although I was raised in London, Yemen is my home and remains close to my heart. I was already working as a documentary producer for pressTV and so when the protests did finally erupt in Yemen it seemed only natural for me to be the one to document it, I couldn't miss out on this, and had to be apart of the change!

I went to the change square daily, it became one of my favourite places in Yemen, it was a place where people finally dared to fight for their rights, and voice their opinions freely, something that wasn't common in a conservative country such as Yemen. When I look back at the months I was in Yemen when the revolution was in full swing, I will never forget the passion and bravery of the youth, who were willing to lose their lives for Yemen. I will never forget the tears of the mothers in the field hospital that lost their sons in the fight for change in Yemen.

Question: Why did you choose to do a story about the deputy minister of information and his son? why not focus on other individuals?

Nawal: One of the qualities of the Yemeni revolution that made it unique in comparison to the other revolutions in the Arab Spring, was that there was a great divide in the country. Whilst the Tahreer Squares in Tunisia, Egypt and Libya were overflowing with protesters demanding the fall of their dictators, Yemens Tahreer Square was full of Saleh supporters. On the other hand, there were millions of people protesting against Saleh and his regime across the country.

Abdu Al-Janadi, the Deputy Minister of Information and his Son Dr Abuther Al-Janadi, represented this divide.
Abdu Al-Janadi kept the regime surviving after all the main people in the regime were either killed or injured in the Nahdain mosque bombing. And his son Abuthar was leading the protest in Taiz, calling for the fall of the regime his father played such a strong part in.

There was no specific reason as to why I picked the Al-Janadi's, but they represented the divide in Yemen that I was trying to show in the film.


Question: Are there any stories that you were not capable of sharing with us on Camera? 

Nawal: There is plenty!! Unfortunately, I wasn't allowed to film Al-Janadi's wife in the film, and what a shame that was. She has such a strong character, and when you meet her you realise how much of a part she plays in his life and in the decisions he has made. Also, had I had more time, I wish I could have told the stories of Al-Janadis history, he was one of the main people opposing Saleh, and was wanted to be executed for trying to plan a coup against Saleh, and now he is now one of Saleh's most loyal supporters!

Question: Why do you think it was in the documentary's narrative to bring together the president's man and his son? was it symbolic of anything else? what do you hope the audience take away from this story?

Nawal: In the time I spent in Yemen, I realised that one of the biggest obstacles the new transitional government is facing in progressing is because most of the political sides are not cooperating. This divide that is between all these groups will continue to halt the progress of the country, it is important for all political sides to unite and do what is best for the nation.

Al-Janadi and Abuthar meeting in the end was to portray that it is possible for all the political sides to unite and to discuss and to work on rebuilding our nation, together.


Question: During the documentary, the ex-president Saleh appeared for a few minutes, the narrator explained him as "humble" while he tested a "new" antique car. Why is his presence in the documentary significant? why do you think he chose to share that moment with the crew of BBC? any other "off-camera" conversations?

Nawal: Firstly, the narrator does not explain Ali Abdullah Saleh as humble, it was Al-Janadi who says this. I was very nervous about our meeting with him, I had been making calls trying to organise it for weeks, and now was finally the time. It was important to have him in the film with Al-Janadi, because I thought I had to show the audience what type of relationship they had. Is it a formal one or a friendly one, but from what I noticed it seems it is very formal.

I think the ex-president was very uncomfortable when his new gift arrived whilst we were there, he tried to sensor that part of the footage too for the DVD we were given, but I was able to get it from another source. I was able to interview him too, but unfortunately the whole of the interview was cut as well from the footage, and all I have left are my notes.


Question: What are you planning to do in the near future? Is Yemen involved in your plans? What do you predict for Yemen?

Nawal: Im already in the development stages of my next film, I have 3 new films that are a work in progress. Hopefully, if all goes to plan, the next one will be broadcast in November, but you will have to wait and see what its about!



Biography from Nawal's Website

Nawal Al-Maghafi is a freelance journalist of Yemeni heritage. Raised in London, she was awarded her undergraduate degree in Economics with Politics from the University of Nottingham, where she was the Founder and President of the Arabic Society; as well as the Political Officer for the Black and Ethnic Minority Network. This is where her interest in the Middle East sparked. She began her pursuit in Journalism at only 19 years of age, where she was trained at Al-Jazeerah London. Focusing on the Middle East and with the objective to uncover the untold stories of the Arab World. She was one of the few journalists that followed the uprisings in Yemen and Saudi Arabia. She then completed 3 documentaries focusing on the Yemeni Revolution and one on Saudi oppression, and was nominated for two awards for her film, Saadah: The Untold Story. She is now based in Yemen, and has begun her career in print journalism as well as film making. She is fluent in both Arabic and English.
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